Monday, March 17, 2014

5 Things That Once Upon A Time Needs To Improve




This one is going to be a bit more specific. Last night I watched an episode of the American television show, Once Upon A Time, a show about fairytale characters who end up in the real world. Now, if you don’t watch the show, this post is not going to mean much to you but if you have been watching it, you may have noticed some things that I did. And so here is my list of ten things that I would do if I wrote for this show:

1.     Reduce the number of characters.

Once Upon A Time is now in it’s third season. When the show first started there were six main characters. Four of these characters were heroes and the other two were villains. Sometimes the show would add in stories for secondary characters but mostly, we were focused on this group of six.

But now?

Now there are around nine main characters plus a number of secondary characters and it’s made the show feel quite crowded. Some shows can make huge casts work but in the case of Once Upon A Time, there is a clear bias, with certain members shown more often than others. There are many times where certain members of the cast won’t really serve much a function. Often times, these characters don’t lend anything to the plot. They’re just there to stand around and maybe say a line or two. They don’t ever seem to lend anything to the team because writers barely give them anything to do, which makes you wonder why they are even there. Who are these people? What do they want? The writers won’t tell us.

And if a writer isn’t going to use the cast they’re putting on the screen, then why have these people there at all?   


2.     The Just Love Interest Problem

Out of the cast of eleven main characters there are three characters that I will refer to as the just love interests. Hook, Neal and Belle are three interesting characters. The characters have interesting backstories. Good actors play them. These characters have so much going for them and yet time and time again, they are reduced to being the love interest to another character. These three aren’t here to be interesting characters by themselves, they’re there to moon over the objects of their affections and weep when they are apart from their objects of affection. Are they capable of being their own agents and having their own goals outside of being a love interest to someone else? Yes. Are the writers letting these characters have goals and aspirations beyond loving another person? No.

    

3.     Just End The Love Triangle Already

Ah yes, the famous love triangle. For those of you who don’t know what a love triangle is, it’s when one character has two people fighting for the their affections. Now, in real life, most people will date on person and dump the other.

Oh, but not so in fiction land and especially not in Once Upon A Time. Quite honestly I feel like television writers have created the love triangle for two reasons: For forced drama and fans agony. Sometimes I look at the shipping war going on within the fan community and say to myself: Are the writers enjoying this? Do they love the fact that people are at each other’s throats over who gets the girl? Are they sitting in a dark room, stroking a cat and manically laughing to themselves when people start fighting over whom they ship? Do they really think all this stuff is healthy for their fans mental health?

Maybe the answer is yes.

Honestly, if I were in the shoes of a Once Upon A Time writer I would cut the cord. I would have the girl choose one person or the other. Would it hurt the part of the fandom that didn’t ship the couple I chose to pair up? Yes. But at least that part of the fandom would only cry for a short while instead of endlessly sobbing which is what the writers are making them do now.

4.     Why is Everyone Related?

So far on this show, there have been five villains on this show and of those five characters, only one character doesn’t have a family connection to another main character. It seems to be that this is the writer’s thing. Make everyone related so that it feels like a soap opera. This is yet another example of forced drama. The writers really need to look at other options. Having a hero related to one villain, that’s fine? Having everyone be related to each other? Boring and repetitive.

5.      Redemption Because We Said So

I’m all for a good villain redemption story. One of things Once Upon A Time does is try to make their villains fully fleshed out characters by explaining why they are the way they are. There is no problem with this type of storytelling and it can often lead to a richer conflict. But a problem that Once Upon A Time likes to do after they have redeemed the villains is to afterwards act like these villains were victims. When the villains are called out on the horrible things they have done in the past the show tends to slant the story in the villains favour, making it seem like they were victims. That they never hurt anyone.

But here’s the thing: Redemption only works when a character genuinely wants to atone and realizes that what they did was wrong. I have seen characters on this show be remorseful for their actions and seen them express their desire to change.

The one exception: Hook

I honestly feel like the writers have completely forgotten this characters horrible misdeeds. Why is Hook a hero? When did this happen? Where is his guilt? His remorse? His admissions of his crimes? I certainly have never seen this happen. Why is he a hero? Because the writers said so, that’s why.

Well how ridiculous…
  





No comments: